Activemovie Window Powerdvd

This initiative would be meaningless without the narrative response in Tenerife. The island will host from 22 July, a collective of four artists from Miami in the room MAC Elder House. Philip Ross Munro, Canadian photographer (right) will be one of the stars of this show. In the picture with his assistant (center) and director of Silverman Gallery.

Activemovie Window Powerdvd

This initiative would be meaningless without the narrative response in Tenerife. The island will host from 22 July, a collective of four artists from Miami in the room MAC Elder House. Philip Ross Munro, Canadian photographer (right) will be one of the stars of this show. In the picture with his assistant (center) and director of Silverman Gallery.

Request To Disconnect Phone

The Delegation Artistic Tenerife has partnered closely with counterparts in Mexico. Issue of synergy. In the picture the architect Eduardo Chirino with the Consul of Mexico in Miami, Hon Miguel Gutierrez, and Roc Laseca, Director of Cultural Pass to artist Óscar Hernández.

Request To Disconnect Phone

The Delegation Artistic Tenerife has partnered closely with counterparts in Mexico. Issue of synergy. In the picture the architect Eduardo Chirino with the Consul of Mexico in Miami, Hon Miguel Gutierrez, and Roc Laseca, Director of Cultural Pass to artist Óscar Hernández.

Armyexamples Of Out Of Regulation Hair

Cacharrería THE SHADOW OF LINDEN: MARKETING ON BOOK LINE LIBRARIES

Last May we had the opportunity to participate actively in the third session TILO (Taller de Ideas on Paper), organized by ADILE and FGEE , having CEDAR as host. The debate in this session revolved around " new marketing strategies for marketing editorial book." The starting point of the workshop was what role online marketing can play in the marketing strategy of the book, and how the use of the Internet and new technologies digital environment is becoming a key tool to support cross-promotion and sale of books through traditional channels.

The tools that have led to new technologies are forcing the sector of the book not only to renew their online communication strategies, but to seriously rethink the way they think and act in the Web 2.0 . This is, obviously, to learn to handle new tools, but not without further incorporate the traditional processes: the key is to use depending on a specific and well-designed strategic marketing plan online. Not only have to provide information on new publications as and when due (a priority that is fundamental to improving the supply chain of books), incorporating new multimedia elements, it also requires a mastery of new languages \u200b\u200band communication strategies on the Web, which involve "listening", "share and create experiences," "ability to communicate ',' participation ',' audience reach."

The conclusions of this session highlight LINDEN: "We live now a profound change in cultural consumption habits and access to knowledge, information and leisure, which affects the whole society as a whole. The publishing industry can not ignore these profound changes affecting society. These new forms of communication and entertainment are already causing changes in the ways to edit, sell, distribute, advertise, buy and read books. "

"The book industry is required to position ourselves in this new reality, and not a mere spectator of the changes that are occurring. Has become a leading player in this new scenario, to prevent other agents, so far outside the sector, to manage and control important areas of activity, taking advantage of these new ways of operating in the market book that is currently being created, and which are not yet clearly defined business models. "

In the "digital maze" successfully achieve those publishers who dare to explore new territory and experiment with these new tools. Not only is the task of facilitating the supply chain (anticipating the objective and useful information on operating times). In addition, publishers must develop strategies for innovation, developing new forms of online marketing. The new technologies are not just about new tools, but involve a new way of thinking. There is no point having the new resources that Internet offers us if publishers do not understand and learn the implications of Web 2.0 mindset.

In this sense, R. Zafra, in his book "Netianas", uses this quote from R. Braidotti: "It takes more than a machine to really alter thought patterns and habits of mind." If editors do not address the redesign of their online communication strategies, will continue to see digital as a devilish little machine indecipherable, and fall into the clumsy Manichaeism confronting the digital to paper.

Armyexamples Of Out Of Regulation Hair

Cacharrería THE SHADOW OF LINDEN: MARKETING ON BOOK LINE LIBRARIES

Last May we had the opportunity to participate actively in the third session TILO (Taller de Ideas on Paper), organized by ADILE and FGEE , having CEDAR as host. The debate in this session revolved around " new marketing strategies for marketing editorial book." The starting point of the workshop was what role online marketing can play in the marketing strategy of the book, and how the use of the Internet and new technologies digital environment is becoming a key tool to support cross-promotion and sale of books through traditional channels.

The tools that have led to new technologies are forcing the sector of the book not only to renew their online communication strategies, but to seriously rethink the way they think and act in the Web 2.0 . This is, obviously, to learn to handle new tools, but not without further incorporate the traditional processes: the key is to use depending on a specific and well-designed strategic marketing plan online. Not only have to provide information on new publications as and when due (a priority that is fundamental to improving the supply chain of books), incorporating new multimedia elements, it also requires a mastery of new languages \u200b\u200band communication strategies on the Web, which involve "listening", "share and create experiences," "ability to communicate ',' participation ',' audience reach."

The conclusions of this session highlight LINDEN: "We live now a profound change in cultural consumption habits and access to knowledge, information and leisure, which affects the whole society as a whole. The publishing industry can not ignore these profound changes affecting society. These new forms of communication and entertainment are already causing changes in the ways to edit, sell, distribute, advertise, buy and read books. "

"The book industry is required to position ourselves in this new reality, and not a mere spectator of the changes that are occurring. Has become a leading player in this new scenario, to prevent other agents, so far outside the sector, to manage and control important areas of activity, taking advantage of these new ways of operating in the market book that is currently being created, and which are not yet clearly defined business models. "

In the "digital maze" successfully achieve those publishers who dare to explore new territory and experiment with these new tools. Not only is the task of facilitating the supply chain (anticipating the objective and useful information on operating times). In addition, publishers must develop strategies for innovation, developing new forms of online marketing. The new technologies are not just about new tools, but involve a new way of thinking. There is no point having the new resources that Internet offers us if publishers do not understand and learn the implications of Web 2.0 mindset.

In this sense, R. Zafra, in his book "Netianas", uses this quote from R. Braidotti: "It takes more than a machine to really alter thought patterns and habits of mind." If editors do not address the redesign of their online communication strategies, will continue to see digital as a devilish little machine indecipherable, and fall into the clumsy Manichaeism confronting the digital to paper.

Scholl Shoes Sold In Singapore

Beatriz Lecuona and Oscar Hernández with the gallery owner Edgar Wells, owner of one of the most important rooms in South Beach "The Sun" and his wife Caren. Edgar was particularly interested in new ways of representing the couple.

Scholl Shoes Sold In Singapore

Beatriz Lecuona and Oscar Hernández with the gallery owner Edgar Wells, owner of one of the most important rooms in South Beach "The Sun" and his wife Caren. Edgar was particularly interested in new ways of representing the couple.

Is White Flour Okay In Dog Treats

The work of Luis Kerch surprised by the strength of a plastic maturity embraced some years ago. Luis does not beat around the bush, explore in the memory of shared experiences that have led to Tenerife from Caracas to Mexico and Miami. Here is the Beaux Art gallery owner Ricardo Gonzalez III discussing some aspects of his work.

Is White Flour Okay In Dog Treats

The work of Luis Kerch surprised by the strength of a plastic maturity embraced some years ago. Luis does not beat around the bush, explore in the memory of shared experiences that have led to Tenerife from Caracas to Mexico and Miami. Here is the Beaux Art gallery owner Ricardo Gonzalez III discussing some aspects of his work.

Meaning E.s In Esfootwear Koston

2.0: THE YEARBOOK OF LIBRARIES SPANISH 2009

The Alonso Quijano Foundation, an institution created in 2000 and dedicated to the promotion of reading, recently published by the Library English Yearbook 2009. The main priorities of the Foundation are, among others, the implementation of projects to promote reading, the organization of training activities in the field of reading and international development cooperation.

Meaning E.s In Esfootwear Koston

2.0: THE YEARBOOK OF LIBRARIES SPANISH 2009

The Alonso Quijano Foundation, an institution created in 2000 and dedicated to the promotion of reading, recently published by the Library English Yearbook 2009. The main priorities of the Foundation are, among others, the implementation of projects to promote reading, the organization of training activities in the field of reading and international development cooperation.

How To Ask People For Money Instead Of Gifts Poem

TUSQUETS-ANAGRAMA: 40 YEARS OF INDEPENDENT PUBLISHING

In these days of books and have had fair opportunity to rediscover one of the most admirable representatives of independent publishing English, with our dear Beatriz de Moura. Elegant, lively, Beatriz approaches you with a smile, warmly greets you and makes you feel protagonist, when the protagonist is always her, of our respect and admiration, but above all, of our affection.

40 years edition which he shares with his readers in this commemorative catalog (400 pages), true autobiography of a knowledge do and say. Along with the comprehensive indexes of authors and works, collections and titles, they appreciated the wide album (with splendid photos of the co-stars from the publisher, authors and friends), the gallery of portraits of their authors, and the magnificent artwork of posters and promotional material (almost dare we say, this catalog should be included as teaching material master must for any self-respecting editor).

A catalog opens with several letters of Antonio and Beatrice Tusquets counting, counting to themselves. Every editor is aware of the autobiographical nature of his editorial work, its projection in its catalog, which is nothing but a self, a doppelgänger , one that continues to be the quintessence of himself. Beatriz Account Tusquets history, its collections, its successes and failures, their numbers and their prizes ... but above all of its making, the secret of his work, which does not respond but a beginning and a purpose. The principle of consistency, over obedience to ideologies or routines, beyond fashion. The purpose, rather than sign for you: "Never give the wool over readers."

40 years are also compliant Anagram, which in its traditional (every five years) "Deconstructing Anagram," we also realize that publishing his work so original, in a sleek and portable "catalog" fetish ", where Jorge Herralde reveals new keys of this great" tool box ": a will and a vocation. His will also sign over the years: the politics of copyright. His vocation: cultural.

Another twist of these publishers, large teachers of all independent publisher that the challenges of new technologies and digital maze, show both calm and excited, but above all, strong supporters and believers in the book on paper.

Beatriz de Moura and Jorge Herralde continue to be our compass for many years, not only teachers, but because they have had some visionary, "the publishing industry, the great and the SME- by the middle of this century will be radically different from what we have known until now, but will be. will , although no matter who. "

Thanks to your work, Beatrice, George, we know what is and what is not independent publishing. What is it?: Catalog, copyright policy, aesthetic vocation, commitment, consistency and authenticity, craft and craftsmanship, professionalism and market knowledge, marketing staff and elegance. What is not?: To fake. Congratulations to both, and congratulations.

How To Ask People For Money Instead Of Gifts Poem

TUSQUETS-ANAGRAMA: 40 YEARS OF INDEPENDENT PUBLISHING

In these days of books and have had fair opportunity to rediscover one of the most admirable representatives of independent publishing English, with our dear Beatriz de Moura. Elegant, lively, Beatriz approaches you with a smile, warmly greets you and makes you feel protagonist, when the protagonist is always her, of our respect and admiration, but above all, of our affection.

40 years edition which he shares with his readers in this commemorative catalog (400 pages), true autobiography of a knowledge do and say. Along with the comprehensive indexes of authors and works, collections and titles, they appreciated the wide album (with splendid photos of the co-stars from the publisher, authors and friends), the gallery of portraits of their authors, and the magnificent artwork of posters and promotional material (almost dare we say, this catalog should be included as teaching material master must for any self-respecting editor).

A catalog opens with several letters of Antonio and Beatrice Tusquets counting, counting to themselves. Every editor is aware of the autobiographical nature of his editorial work, its projection in its catalog, which is nothing but a self, a doppelgänger , one that continues to be the quintessence of himself. Beatriz Account Tusquets history, its collections, its successes and failures, their numbers and their prizes ... but above all of its making, the secret of his work, which does not respond but a beginning and a purpose. The principle of consistency, over obedience to ideologies or routines, beyond fashion. The purpose, rather than sign for you: "Never give the wool over readers."

40 years are also compliant Anagram, which in its traditional (every five years) "Deconstructing Anagram," we also realize that publishing his work so original, in a sleek and portable "catalog" fetish ", where Jorge Herralde reveals new keys of this great" tool box ": a will and a vocation. His will also sign over the years: the politics of copyright. His vocation: cultural.

Another twist of these publishers, large teachers of all independent publisher that the challenges of new technologies and digital maze, show both calm and excited, but above all, strong supporters and believers in the book on paper.

Beatriz de Moura and Jorge Herralde continue to be our compass for many years, not only teachers, but because they have had some visionary, "the publishing industry, the great and the SME- by the middle of this century will be radically different from what we have known until now, but will be. will , although no matter who. "

Thanks to your work, Beatrice, George, we know what is and what is not independent publishing. What is it?: Catalog, copyright policy, aesthetic vocation, commitment, consistency and authenticity, craft and craftsmanship, professionalism and market knowledge, marketing staff and elegance. What is not?: To fake. Congratulations to both, and congratulations.

Where Can I Get My Mechanic Licence In Ontario

NO SMALL, INDEPENDENT BOOK FAIR

In Paris in the Latin Quarter, near Saint Michel, near the Sorbonne, publishers are not small, but independent, and certified as recently inaugurated day a very special library: Pippa, the "Librairie des éditeurs Indépendants." With only his name is Parisian bookstore define new market positioning and composition of its product portfolio, or as we say around here, "what will"; for that, independent. Could carry out a similar initiative in Spain, he wondered? Praise of the bookstore few days ago

few months ago we went up a post in which we stated the need for preparing a sheet Map of Independent Publishing . On that sheet would occupy an important chapter the development of a selective distribution map of Independent Publishing. It is time, we said, that the English independent publishers with an alarming crisis of visibility, they decide to promote, sponsor and sponsor a slogan than as a network of libraries to ensure the continued presence of certain publishing houses and generated some militancy around them.

Just a few days before the questions of some colleagues, we shape a new entry in our vision of what "independent publishing ", well away from the concept "Small." If other countries like France or in most of Latin America there is a rigorous and effective activism around the "Independent Publishing" in Spain, or at least in Madrid, still on his back with the concept of "Small Publishers."

Apart from being outdated and leave a bad taste in my mouth, being almost offensive, the term "small press" we still creates serious questions: Is it "small publisher" by the billing? Why the cost? Why the low visibility in the media? Why vocation of insignificance and marginality? Why financial capacity? Why resources human and business? Why build a catalog? "By definition" against "or" front "to others?

etc ... We believe

Independent Publishers in Spain have sufficient identity to "become visible" as such and void. Could it be that it is independent of the cultural dimension? Why depth of the catalog? Why specialization in niche markets or micro-niche? Aesthetic commitment Why? Why your corporate responsibility to a sustainable model, an ally of the network of independent bookshops?

Certain publishers have no choice but to be defined as "small" because they have nothing to wield against others who are "great." The independents do not create any problem to live with the great, because they are of another species and are defined and act for themselves.

The Small Publishers Committee of the EMP for some time organized a conference on the problem analysis of the distribution. The conference was a success of public and union participation, making clear one of the most pressing concerns of independent publishing in this country, on the visibility factor of their labels. Well, is it not the time to get to work on the issue of visibility of IE in the outlets? Is it not time for Independent Publishers ruling on their status as such?

Where Can I Get My Mechanic Licence In Ontario

NO SMALL, INDEPENDENT BOOK FAIR

In Paris in the Latin Quarter, near Saint Michel, near the Sorbonne, publishers are not small, but independent, and certified as recently inaugurated day a very special library: Pippa, the "Librairie des éditeurs Indépendants." With only his name is Parisian bookstore define new market positioning and composition of its product portfolio, or as we say around here, "what will"; for that, independent. Could carry out a similar initiative in Spain, he wondered? Praise of the bookstore few days ago

few months ago we went up a post in which we stated the need for preparing a sheet Map of Independent Publishing . On that sheet would occupy an important chapter the development of a selective distribution map of Independent Publishing. It is time, we said, that the English independent publishers with an alarming crisis of visibility, they decide to promote, sponsor and sponsor a slogan than as a network of libraries to ensure the continued presence of certain publishing houses and generated some militancy around them.

Just a few days before the questions of some colleagues, we shape a new entry in our vision of what "independent publishing ", well away from the concept "Small." If other countries like France or in most of Latin America there is a rigorous and effective activism around the "Independent Publishing" in Spain, or at least in Madrid, still on his back with the concept of "Small Publishers."

Apart from being outdated and leave a bad taste in my mouth, being almost offensive, the term "small press" we still creates serious questions: Is it "small publisher" by the billing? Why the cost? Why the low visibility in the media? Why vocation of insignificance and marginality? Why financial capacity? Why resources human and business? Why build a catalog? "By definition" against "or" front "to others?

etc ... We believe

Independent Publishers in Spain have sufficient identity to "become visible" as such and void. Could it be that it is independent of the cultural dimension? Why depth of the catalog? Why specialization in niche markets or micro-niche? Aesthetic commitment Why? Why your corporate responsibility to a sustainable model, an ally of the network of independent bookshops?

Certain publishers have no choice but to be defined as "small" because they have nothing to wield against others who are "great." The independents do not create any problem to live with the great, because they are of another species and are defined and act for themselves.

The Small Publishers Committee of the EMP for some time organized a conference on the problem analysis of the distribution. The conference was a success of public and union participation, making clear one of the most pressing concerns of independent publishing in this country, on the visibility factor of their labels. Well, is it not the time to get to work on the issue of visibility of IE in the outlets? Is it not time for Independent Publishers ruling on their status as such?

Butterfly Saying For Baby

MADRID: REVIEW AND INDEPENDENT FUTURE PUBLISHING

The Madrid Book Fair 2009 has finished and we have to get thinking about the next edition, 69. What remains unclear at this time is that the gloomy expectations with which they started were not confirmed, in fact, the Fair has maintained a relatively good sales pitch and very similar to last year. You can confirm openly, according to data provided by the organization, the sales increase has been in a range between 8% and 10% so it can be said that the balance is definitely positive.

That means an independent publisher booth or a small city that has billed revenues last year between 10,000 and 40,000 euros, this year has charged 2,000 euros more in the first case, $ 4,000 more in the second. The same can be applied in the case of libraries, they have gone by and as strong and firms' tendency shadow "I have helped you. Close

positive, but statistics can not make us forget a few things. The first and foremost, from January to June the libraries have been and are empty, with very marked declines in sales and serious, with a slowdown in business very serious and worrying, and generating a return rather than volume constant (dealers can not anymore and have begun to implement drastic solutions.)

Second, the tone of the Feria de Madrid just a palliative to the problem, for some publishers and libraries in Madrid, but certainly not a solution in itself. Once the fair is more than reasonable to think of a return to the slowdown in business activity in the sector. We see no reason to expect a turnaround in the short term. Despite the massive influx Retreat, keep in mind that a high percentage of buyers only very occasionally visit bookstores, or even visit them. In this sense, questions about the business of libraries and publishers are back in the air.

One issue that seems fundamental to time to reflect on the Fair is from the highly commercial nature: "Ours is a fair sale, pure and simple," has held its director on several occasions . The Fair is a huge cash register sales of books, obviously with the approval tacit and unanimous booksellers and publishers.

however, is missing from our point of view, a larger cultural approaches and rigor. The model of the Feria de Madrid begins to age and needs to be redesigned, so it is essential that an organizing committee to bring together more sensitivities and points of view, beyond some "adjustments" in the regulations. It is obvious that the "diversity" editorial is supported by the presence of independent publishers with full background, so you have to make every effort to ensure that in future years the fair has more active involvement of editors. No However, avoiding unnecessary confrontation, it will take more mood and temper by all.

regard to propose suggestions for improvement:

• A plural commission to address an approach to cultural activity fair where a close pass along or at the level of business, apparently assured so far. To cash is fine, but the Fair is urgently needed to add value to your visitors, otherwise it will come.

• There are to rethink the schedule during the weekends, if it makes sense to open on Saturdays and holidays at 5 pm (which is neither Felix the Cat), and closes at 9 pm (when people are very for the work).

• There are to study the possibility of providing some ecological cooling system to the Fair, for the days of hot sun, which can range from the canvas such as "Corpus" to the sprinklers used in the Expo in Seville.

· It would be appropriate to address a profound revitalization of the Fair, so as to generate a significant increase in traffic to the circuit. The incorporation of certain recreational activities more help for that purpose.

· You might consider making a special day on Friday with a night time (it would open afternoon at a more advanced), with an evening session of music and books inside the park, taking advantage of nice weather to create a festive atmosphere to invite the public to stay, featuring booths open until midnight.

In short, the Fair has been good and we should be glad for it, but we must rethink what we want in the future Fair. Everything can be improved if we act we will.

Butterfly Saying For Baby

MADRID: REVIEW AND INDEPENDENT FUTURE PUBLISHING

The Madrid Book Fair 2009 has finished and we have to get thinking about the next edition, 69. What remains unclear at this time is that the gloomy expectations with which they started were not confirmed, in fact, the Fair has maintained a relatively good sales pitch and very similar to last year. You can confirm openly, according to data provided by the organization, the sales increase has been in a range between 8% and 10% so it can be said that the balance is definitely positive.

That means an independent publisher booth or a small city that has billed revenues last year between 10,000 and 40,000 euros, this year has charged 2,000 euros more in the first case, $ 4,000 more in the second. The same can be applied in the case of libraries, they have gone by and as strong and firms' tendency shadow "I have helped you. Close

positive, but statistics can not make us forget a few things. The first and foremost, from January to June the libraries have been and are empty, with very marked declines in sales and serious, with a slowdown in business very serious and worrying, and generating a return rather than volume constant (dealers can not anymore and have begun to implement drastic solutions.)

Second, the tone of the Feria de Madrid just a palliative to the problem, for some publishers and libraries in Madrid, but certainly not a solution in itself. Once the fair is more than reasonable to think of a return to the slowdown in business activity in the sector. We see no reason to expect a turnaround in the short term. Despite the massive influx Retreat, keep in mind that a high percentage of buyers only very occasionally visit bookstores, or even visit them. In this sense, questions about the business of libraries and publishers are back in the air.

One issue that seems fundamental to time to reflect on the Fair is from the highly commercial nature: "Ours is a fair sale, pure and simple," has held its director on several occasions . The Fair is a huge cash register sales of books, obviously with the approval tacit and unanimous booksellers and publishers.

however, is missing from our point of view, a larger cultural approaches and rigor. The model of the Feria de Madrid begins to age and needs to be redesigned, so it is essential that an organizing committee to bring together more sensitivities and points of view, beyond some "adjustments" in the regulations. It is obvious that the "diversity" editorial is supported by the presence of independent publishers with full background, so you have to make every effort to ensure that in future years the fair has more active involvement of editors. No However, avoiding unnecessary confrontation, it will take more mood and temper by all.

regard to propose suggestions for improvement:

• A plural commission to address an approach to cultural activity fair where a close pass along or at the level of business, apparently assured so far. To cash is fine, but the Fair is urgently needed to add value to your visitors, otherwise it will come.

• There are to rethink the schedule during the weekends, if it makes sense to open on Saturdays and holidays at 5 pm (which is neither Felix the Cat), and closes at 9 pm (when people are very for the work).

• There are to study the possibility of providing some ecological cooling system to the Fair, for the days of hot sun, which can range from the canvas such as "Corpus" to the sprinklers used in the Expo in Seville.

· It would be appropriate to address a profound revitalization of the Fair, so as to generate a significant increase in traffic to the circuit. The incorporation of certain recreational activities more help for that purpose.

· You might consider making a special day on Friday with a night time (it would open afternoon at a more advanced), with an evening session of music and books inside the park, taking advantage of nice weather to create a festive atmosphere to invite the public to stay, featuring booths open until midnight.

In short, the Fair has been good and we should be glad for it, but we must rethink what we want in the future Fair. Everything can be improved if we act we will.

Soft Cervix 6 Days Late For Period

few days ago fell into our hands an interesting booklet entitled What is the book? Heterodox musings of Popular Editorial, written by a group of French writers among them is A. Schiffrin and Eric Hazan.

The book, whose original title is Le livre: Que Faire? , was released in France in 2008 and reviewed a number of issues on the status and problems of the world the book, based on data from the book market situation in France, but the general analysis is perfectly transferable to the English market.

it extracts a number of considerations, as a tasting:

· To judge by the number of doctors who care, the book is not any good.

· Of what it is today is to save the "book", considered as a single homogeneous category. Now we all know that reality is another. On the one hand, a number of books that are industrial products made following the rules of marketing, and marketed primarily with the support of major existing normal channels throughout the country.

• If the mainstream media and large publishing groups are in the hands of the allies of Sarkozy, what is the alternative? Here the existence of independent publishing is crucial.

• The fact that some newspapers and publishers belong to independent foundations, nonprofit, or cooperative, it seems the best way to preserve the political and cultural autonomy.

· interesting chapter on copyright, which reproduces a text by Victor Hugo wrote in 1878, which has no waste, and raised the limits of this right. We imagine what would have said if at the time of collection societies work and the Internet.

· The ups and downs that affect the economy of the book forces us to radically rethink aid devices, both nationally and regionally.

distribution • The machine has its own criteria works bypassing much of the independent booksellers and publishers.

• In regard to the overproduction: What time is passed to the "valid range" to "unhealthy profusion?

· Before, suppliers of libraries could agree to a discount that reached up to 20% or 25%, which gave an absolute advantage to large wholesalers at the expense of publishers, who could not afford. Today, the discount is limited to 9%.

In summary, an interesting book, essential and mandatory reading for all professionals in the world of books, including of course, librarians. We welcome with joy and admiration for the emergence of such books in Spain, coinciding with the release of two new titles in the collection Types Mobile Trama Editorial. Is it coincidence that both initiatives are published by independent publishers?

Soft Cervix 6 Days Late For Period

few days ago fell into our hands an interesting booklet entitled What is the book? Heterodox musings of Popular Editorial, written by a group of French writers among them is A. Schiffrin and Eric Hazan.

The book, whose original title is Le livre: Que Faire? , was released in France in 2008 and reviewed a number of issues on the status and problems of the world the book, based on data from the book market situation in France, but the general analysis is perfectly transferable to the English market.

it extracts a number of considerations, as a tasting:

· To judge by the number of doctors who care, the book is not any good.

· Of what it is today is to save the "book", considered as a single homogeneous category. Now we all know that reality is another. On the one hand, a number of books that are industrial products made following the rules of marketing, and marketed primarily with the support of major existing normal channels throughout the country.

• If the mainstream media and large publishing groups are in the hands of the allies of Sarkozy, what is the alternative? Here the existence of independent publishing is crucial.

• The fact that some newspapers and publishers belong to independent foundations, nonprofit, or cooperative, it seems the best way to preserve the political and cultural autonomy.

· interesting chapter on copyright, which reproduces a text by Victor Hugo wrote in 1878, which has no waste, and raised the limits of this right. We imagine what would have said if at the time of collection societies work and the Internet.

· The ups and downs that affect the economy of the book forces us to radically rethink aid devices, both nationally and regionally.

distribution • The machine has its own criteria works bypassing much of the independent booksellers and publishers.

• In regard to the overproduction: What time is passed to the "valid range" to "unhealthy profusion?

· Before, suppliers of libraries could agree to a discount that reached up to 20% or 25%, which gave an absolute advantage to large wholesalers at the expense of publishers, who could not afford. Today, the discount is limited to 9%.

In summary, an interesting book, essential and mandatory reading for all professionals in the world of books, including of course, librarians. We welcome with joy and admiration for the emergence of such books in Spain, coinciding with the release of two new titles in the collection Types Mobile Trama Editorial. Is it coincidence that both initiatives are published by independent publishers?

Renewing Mecanic Licence

FAIR IN FRANCE: THE POCKET BOOK AND THE END OF THE SYNOD

all have our eyes on the 68 th edition of the FLM , waiting, expectantly, some results or depart permanently, according to some, the specter of crisis, or confirm, as the most, the accumulated errors of a paradigm EXTINGUISHING almost. Both sides, meanwhile, we turn to the pocket: the wallet, most of them, to tell again how much can we really spend this year at the fair, the other, sales of paperback books, thanks to which, as a guru, " Fair dodge the crisis."

Salamanca not only have stated flatly exorcists virtues of the crisis by the paperback book. The booksellers of Madrid, and in particular its President, Pilar Gallego, on the occasion of the inauguration of the LWF last May 29, held that "seems to be selling plus paperback.

Some have rightly deduced that interest in the pocket book but the grip does not respond to the English pocket is being submitted by the crisis, and advance on the basis that " interest saver "will make the pocket book, not the digital book in the true portagonista the Madrid Book Fair.

Updates and things we want to share with you the following reflection :

"For most trivial, everyday scene it is worth analyzing in detail, since it is the key industry paperback. Neither the producer nor the critic can make abstraction of it. The first thing you notice is that the pedestrian is completely mobile with only the [display] full of books. Its only counterpart is the shining mechanism.

"The bookseller was removed and the library has acquired the appearance of a self-service . Advise the client, talking to him, make available the experience and responsibility, everything that had given much intellectual prestige the office of librarian, has lost its raison d'etre.

"also has become less important the provision of choice, the selection of books including the multitude of literary and intellectual productions, things that before each library gave a peculiar physiognomy. This screening can now be borne by the producer, and the bookseller has been forced to become simple buying and selling of entire series, prefabricated.

"Their mission is similar to that of an owner of a cinema, bound by a contract, often for the sheer convenience, please purchase" lots "and often" blind ". This trend is most visible in specialist bookshops in paperback that have opened in major cities in them the role of the bookseller is reduced to a cashier.

"These stores are, in fact, supermarkets literature, without changing the staff, can be converted at any time in grocery stores or ties in accordance with the principle of" help yourself "...

So far the appointment of a text that we found very revealing of the situation we are living in Spain in recent months. The exaltation of the paperback by publishers and booksellers as the final talisman that will save us, to one another, the plague of the crisis, is revealed as a double-edged sword, a headlong rush that irresponsibly, has not valued the ultimate consequences their demagogic argument, such as to bookstores as we know them.

But we are accustomed to the book sector in Spain improvise, rather than reflect, and shoot, instead of planning. The curious thing is that the text quoted above, whose author is none other than Hans Magnus Enzensberger , belongs to his book details, published in Germany in 1962 and published in Spain in 1969 as number 1 in the series "Arguments" from Anagram. Do not know who was more prescient: if the German writer, editor or English, Jorge Herralde .

It's not that the paperback will make us poor, will not be the case, is that with so much demagoguery and improvisation, we are loading the sector, gentlemen. And by the way, bookstores. Indeed, the vending machine pocket books ( Vending Books), with its slogan hilarious ("feed your mind") is a English invention, which in its early months and generated sales of € 85,000. Of course, your offer is more than evident: puritito best-seller.

Renewing Mecanic Licence

FAIR IN FRANCE: THE POCKET BOOK AND THE END OF THE SYNOD

all have our eyes on the 68 th edition of the FLM , waiting, expectantly, some results or depart permanently, according to some, the specter of crisis, or confirm, as the most, the accumulated errors of a paradigm EXTINGUISHING almost. Both sides, meanwhile, we turn to the pocket: the wallet, most of them, to tell again how much can we really spend this year at the fair, the other, sales of paperback books, thanks to which, as a guru, " Fair dodge the crisis."

Salamanca not only have stated flatly exorcists virtues of the crisis by the paperback book. The booksellers of Madrid, and in particular its President, Pilar Gallego, on the occasion of the inauguration of the LWF last May 29, held that "seems to be selling plus paperback.

Some have rightly deduced that interest in the pocket book but the grip does not respond to the English pocket is being submitted by the crisis, and advance on the basis that " interest saver "will make the pocket book, not the digital book in the true portagonista the Madrid Book Fair.

Updates and things we want to share with you the following reflection :

"For most trivial, everyday scene it is worth analyzing in detail, since it is the key industry paperback. Neither the producer nor the critic can make abstraction of it. The first thing you notice is that the pedestrian is completely mobile with only the [display] full of books. Its only counterpart is the shining mechanism.

"The bookseller was removed and the library has acquired the appearance of a self-service . Advise the client, talking to him, make available the experience and responsibility, everything that had given much intellectual prestige the office of librarian, has lost its raison d'etre.

"also has become less important the provision of choice, the selection of books including the multitude of literary and intellectual productions, things that before each library gave a peculiar physiognomy. This screening can now be borne by the producer, and the bookseller has been forced to become simple buying and selling of entire series, prefabricated.

"Their mission is similar to that of an owner of a cinema, bound by a contract, often for the sheer convenience, please purchase" lots "and often" blind ". This trend is most visible in specialist bookshops in paperback that have opened in major cities in them the role of the bookseller is reduced to a cashier.

"These stores are, in fact, supermarkets literature, without changing the staff, can be converted at any time in grocery stores or ties in accordance with the principle of" help yourself "...

So far the appointment of a text that we found very revealing of the situation we are living in Spain in recent months. The exaltation of the paperback by publishers and booksellers as the final talisman that will save us, to one another, the plague of the crisis, is revealed as a double-edged sword, a headlong rush that irresponsibly, has not valued the ultimate consequences their demagogic argument, such as to bookstores as we know them.

But we are accustomed to the book sector in Spain improvise, rather than reflect, and shoot, instead of planning. The curious thing is that the text quoted above, whose author is none other than Hans Magnus Enzensberger , belongs to his book details, published in Germany in 1962 and published in Spain in 1969 as number 1 in the series "Arguments" from Anagram. Do not know who was more prescient: if the German writer, editor or English, Jorge Herralde .

It's not that the paperback will make us poor, will not be the case, is that with so much demagoguery and improvisation, we are loading the sector, gentlemen. And by the way, bookstores. Indeed, the vending machine pocket books ( Vending Books), with its slogan hilarious ("feed your mind") is a English invention, which in its early months and generated sales of € 85,000. Of course, your offer is more than evident: puritito best-seller.